White Noise Dave Clarke
Saturday at 12 P.M. UTC/GMT +1
Dave Clarke is a DJ with an anarchist streak a mile wide and punk in his soul. Technologically, he's an early adopter with the studio to prove it, but he also embraces sounds outside the staunch electronic dance remit, from Nick Cave to Savages to old favourites Bauhaus. Such music informs his attitude as, using Serato on a 13" Macbook Pro Retina for his ruthlessly effective, fat-free club sets, he pushes the worldwide boundaries of what techno and electro can be. After a break , recent years have seen him make his presence as a producer felt again, working with Dutch partner Mr Jones (Jonas Uittenbosch) as _Unsubscribe_ and dropping remixes ranging from John Foxx's seminal synth-pop gem 'Underpass' to Gesaffelstein, Detroit Grand Pubas and Octave One. Not a week passes when he doesn't live up to his nickname, the Baron of Techno, a moniker given him by the late, great BBC Radio DJ John Peel.
"I still love DJing with a passion," Clarke enthuses, "Keeping a balance with technology so it doesn't take over. Anything in a DJ set-up has to provide something extra, as opposed to being there as smoke and mirrors. There's too much of that sort of thing going on, especially since the American EDM explosion..."
Dave Clarke was born and raised in Brighton, England, but currently resides in Amsterdam in the Netherlands. The offspring of a technology loving father and a disco-soul loving mother, it was always evident that Clarke would cut a swathe through music. As a youth he ran away from home, sleeping in car parks and on beaches. He took lousy jobs in shoe shops, living off £5 a day, to subsidise his income from badly paid local DJ gigs - anything to further his involvement with music.
"I didn't really engage at all with the outside world," he recalls, "I was your typical disenfranchised JD Salinger-inspired young adult that used to hide in and behind music."
Clarke's debut release was in 1990 on XL, around the time the label was launching The Prodigy. He used the name Hardcore, a guise he then took to the legendary Belgian techno-rave imprint R&S where he released various EPs (some as Directional Force). By 1992 Clarke's own label, Magnetic North, was on the rise and he unveiled the classic 'Alkaline 3dh' (as Fly By Wire), among others. A next level career boost was round the corner when his 'Red' trilogy were unleashed in 1994. These catapulted Clarke into a different league and he suddenly found himself remixing the likes of Kevin Saunderson's Inner City, The Chemical Brothers, New Order, Depeche Mode, Moby, Leftfield and Underworld. Undisputed landmarks in